One of Africa’s most progressive monarchs, Queen Ranavalona (or Ramavo), was a leader in a number of innovative fields. Throughout her reign as Madagascar’s first queen, she worked to free her country from European dependence. While she reigned for 33 years, Queen Ranavalona had several difficulties. She also did a lot to advance Madagascar’s economy and political system.
She was the daughter of Prince Andriantsalamanjaka and Princess Rabodonandriantompo and was born in 1778 as Princess Ramavo. Although she was still a child, her father warned King Andrianampoinimerina of an assassination attempt. After Prince Andriantsalamanjaka saved the king’s life, King Radama pledged that his son, Prince Ramavo, would wed her.
He also said that if they had a kid, the child would be first in line for the throne after Radama. Radama and Ramavo tied the knot, but theirs was an unhappy, childless union. Prince Radama became king after the death of his father and, in accordance with royal tradition, had numerous prospective opponents, including some of his wife’s family, put to death.
Because of this, Ramavo’s marriage became even more strained, and she eventually met David Griffiths, a Welsh missionary, with whom she developed a close bond that lasted more than three decades.
Becoming Queen Ranavalona
Rakotobe, King Radama’s nephew, succeeded to the throne upon Radama’s death on July 27, 1828. For several days, nobody let on about Radama’s passing. Nevertheless, once a powerful military commander found out, he joined forces with others to help Ramavo seize power.
The officers concealed Ramavo until they could muster the backing of various influential individuals, including judges and the armed forces. On August 11, 1828, Ramavo announced her succession to the throne as her husband’s because, she claimed, Radama had ordered it.
Ramavo adopted the name Ranavalona, which means folded or set aside, upon becoming queen. A number of Ranavalona’s prospective opponents, including members of Radama’s family, were put to death by the queen, much as her husband had done. On June 12, 1829, she was formally crowned queen.
The Reign Of Queen Ranavalona
Throughout her 33-year reign, Queen Ranavalona worked to increase Madagascar’s cultural and political independence. It was early in her rule that she separated Madagascar from the sway of the French and British, who had hoped to occupy the island.
She accomplished this by severing ties with the British and outlawing Christianity in the Madagascar nation. She also limited the work of the London Missionary Society, whose missionaries had been teaching natives literacy and trade skills.
As a result of her efforts, almost all foreigners had fled her land by 1835. Because Madagascar was so far away from other countries, Queen Ranavalona made changes to help the country become self-sufficient economically.
Fanompoana, a practice that goes back hundreds of years and replaces forced labor with tax payments, was a key part of making this happen. During her reign, she anointed her son Radama II as the next king. Sleeping in her bed in the Manjakamiadana palace, Queen Ranavalona passed away on August 16, 1861.
Shaka Zulu history: Shaka Senzangakona, who was probably born in the late 1780s, led the growth of the powerful Zulu empire during a time when there were a lot of big changes in politics, society, and the environment in southern Africa. In both historical and modern accounts, Shaka has been called the “African Napoleon,” a military genius, a founding statesman, a dictator, and a powerful myth, among other things. This makes him a controversial figure. He is the main focus of historical accounts that show how the building of states in eastern and southern Africa in the 1800s had “Zulucentric” roots.
In the 1810s, the KwaZulu-Natal area of South Africa saw the rise of the Zulu monarchy. Iron Age farmers who spoke Bantu moved to this rich, well-watered area by the year 300, and by the year 1000, they had created agropastoralism. By 1800, the people who lived there had already moved into many small towns with anywhere from a few hundred to several thousand people. Communities within a chiefdom were connected by marriage and blood ties, but they stayed connected to the chief through clientage and a partial exchange of tribute.
In the early 1800s, many things came together to cause social stratification and competition between these chiefdoms over resources and trade. Starting in the middle of the eighteenth century, selling ivory to Europeans was a major driving force in the rise to riches and power of certain chiefdoms at the expense of others. Securing political dominance required dominance in strategic areas, such as control of trade routes and the dwindling elephant population.
Shaka Zulu History
Even more so, a string of devastating droughts and famines accelerated the process of political amalgamation, in which powerful leaders like Shaka strove to turn preexisting social links between chiefs and people into military kingdoms to defend resources. There was a need for military units to protect and spread control over hunting areas, trade routes, and rich land, therefore, young men in the amabutho (circumcision age groups under the jurisdiction of the chief) were employed in elephant hunting. In the end, this led to the rise of formidable military powers engaged in bloody competition for territorial dominance.
Thus, the conditions that generated an increased desire to control commerce, land, and labor are the roots from which the Zulu and other large nations in southeastern Africa grew. Shaka became a major figure in this setting. Shaka and his mother Nandi fled the house they had with his father Senzangakona after his mysterious birth. As he came back from exile, he refined his talents as a strategist and warrior, and in 1816, he took control of a small Zulu chiefdom that was subservient to the Mthethwa paramountcy.
Shaka was a man of great talent, might, and ruthlessness, and he wasted little time capitalizing on political advantage and the novel strategy of up-close spear warfare that had proven effective in battle. Shaka prevented the subservient Zulu from siding with the Mthethwa during a dispute between the Mthethwa and the Ndwandwe chiefdoms. Once the Mthethwa were defeated, Shaka was able to use this strategy to free himself from their control and repel the invading Ndwandwe.
Shaka Zulu History
After that, Shaka honed his leadership skills over his youthful regimental soldiers and the creative forces of society, turning the Zulu nation into a formidable military power. The Zulu eventually expanded their dominance to the north and south after consolidating control over the territory and its inhabitants. They overran most of KwaZulu-Natal, forcing several client chiefdoms away, and instituting tribute ties over an increasingly stratified society. Many people attribute the rapid conflicts and migrations of the 1820s and 1830s to Shaka and his seeming central participation in these events, and hence call this period of history the Mfecane.
Nevertheless, it is now accepted that European raiders, slavers, traders, and immigrants had (to differing degrees according to different readings) an important impact on African communities and the creation of African states in southern Africa. It is clear that Shaka and the Zulu kingdom were not alone to blame for the massive social and political upheaval that preceded the establishment of other powerful African kingdoms in the area. To establish their new kingdoms, African politicians adopted either defensive or aggressive measures, depending on the specifics of the situation.
Shaka Zulu History
Zulu raiding, particularly for livestock, increased when Shaka came to power, and Zulu dominance spread as Zulu soldiers were stationed in forts across the region. Yet this was a precarious authority, plagued by both internal strife and foreign threats. As the dominant Zulu royal dynasty imposed disparities of ethnicity, rank, and money between themselves and subordinate peoples, the kingdom became deeply divided and unequal. When the Ndwandwe planned an invasion in 1826, it heightened Shaka and the Zulu aristocracy’s already heightened sensitivity to internal dissent.
But despite the Ndwandwe’s defeat, tensions remained high. In his time of sadness after his mother’s death, Shaka resorted to extreme cruelty by ordering the execution of his Zulu political opponents. Concerns within the royal family about Shaka’s abuses led to his murder in 1828 at the hands of his half-brothers and an aide. However, the kingdom was solid enough to weather the problem of succession, and Dingane, one of the killers, became king in Shaka’s place. Dingane established his authority as king through a combination of appeasement toward his amabutho and the chiefs and harsh repression of his political opponents and those who had fled their homes during Shaka’s reign.
Dingane gave his soldiers access to cattle, the lifeblood of the Zulu economy, through violent assaults against neighboring chiefdoms. In addition, he expanded the trading network that had been set up by Shaka with the southern British outpost of Port Natal (now Durban) to buy weapons and military instruction for his troops. The fall of Zulu power in the region began in the latter 1830s, as European participation and expansion within the kingdom increased. By the middle of the 1830s, Dingane had severely limited connections with the British because he was so annoyed by their efforts to prevent the gun trade and, more importantly, because they were sheltering a large number of Zulu dissidents.
Shaka Zulu History
Dingane’s downfall was precipitated by the advent of Boer voortrekker immigrants headed by Piet Retief in 1837, who posed an even greater threat to the Zulu realm. Dingane, well aware of the voortrekkers’ expansionist tendencies, executed Retief and a group of his men after they had tentatively negotiated the cession of Zulu land for colonization. Andries Pretorius took over as leader of the Boers, and soon after, the Zulu were dealt a devastating blow at Ncome (Blood) River. After then, tensions between the Zulu and the white colonizers only increased.
Dingane’s half-brother Mpande’s dynastic aspirations, which were at odds with those of the Trekkers, coincided with the rise of the latter in a peculiar turn of events. Mpande fled the kingdom in 1839, but he later formed an alliance with the Boers and returned with them to destroy Dingane. A major shift occurred at this time in the Zulu empire. While Mpande and his successors managed to maintain independence until 1879, his coronation by the Boers indicated that white interference would play an increasingly significant role in the weakened country.
Most of the time, the word “adinkra” is linked to a variety of symbols, but it is more accurately used to mean a symbolic message given to souls who are moving on or who have died. The term “di” means “to make use of” or “to employ,” and the term “nkra” means “message.”
Literally, then, adinkra means “to make use of a message,” but when spoken together, the term is understood to mean “to leave one another” or “to say goodbye.” Also, because the word “nkra” comes from the word “kra,” which means “life force” or “soul,” adinkra is also thought of as a message that a soul takes with it when it returns to Nyame. Thus, Adinkra is a type of language. Even though it is clear that the Akan have been using adinkra for a very long time, there has been a lot of debate in academia about where the symbols came from.
The most commonly accepted legend comes from the stampers (those who create/produce adinkra). Legend has it that the symbols gained their name from Nana Kofi Adinkra, the famous 19th-century king of Gyaman, located in neighboring Cote d’Ivoire. King Adinkra was said to have challenged the authority of the then Asantehene, Nana Osei Bonsu Panyin, by making a replica of the Sika Dwa (golden stool). Because of this spiritual intrusion on the Asante people, the Asante-Gyamn War happened, and the Gyamans lost.
People say that the Asantehene liked how the replica Sika Dwa, which had different symbols on it, was made so much that he made the defeated Gyaman craftsmen copy the symbols and teach the Asante craftsmen how to make them themselves. This is how the Adinkra Symbols of the Akan started out. The Akan believe that the whole world is made up of two realms: the living and the nonliving (spirit). In their view of the universe, there isn’t a clear line between the physical and spiritual worlds. Instead, they work together and sometimes overlap.
The physical is directed by the power of the spiritual—Nyame, the Abosom (deities/divinities), and the Nsamanfo (ancestors). Through the Akan life cycle, each person moves between these two worlds: birth, puberty, marriage, death, and rebirth. So, the Akan don’t think of physical death as the end of life. Instead, they see it as the transition from life on Earth to life in the spirit world. Each person must go through this change in order to reach the spiritual world and keep living as Nsamanfo. Instead, physical death makes family ties last forever, and the rituals done by the living Abusua (family) emphasize the unbreakable ties between the people on Earth, the sunsum (spirit) of the dead person, and Nsamanfo.
People on Earth are responsible for doing the Ayie so that the sunsum can move on to the Asamando (ancestral world). If they don’t, the sunsum will turn into a restless and evil spirit and may come back to hurt the family. Thus, great satisfaction is derived from the performance of the Ayie, and the community looks down on those who do not properly bury their kin.
In Western society, friends and family usually mourn the death of a person, but in Akan society, the whole community mourns the death of a person. The bond between the living and the Nsamanfo is strengthened when the right rites are done by the whole community.
The Ayie is performed in four stages: (a) Adware (preparation of the corpse), (b) Adeda (lying in state) and Siripe (wake-keeping), (c) Asie (burial), and (d) Ndaase (thanksgiving). Most of the time, the Ayie takes place over the course of a weekend in the present day.
To show how sad they are about the death of a loved one, family members must wear black and not wear white, bright colors, jewelry, or anything else that might be seen as “flashy” until the Ayie is done. During the funeral ceremonies, the people who go show their spiritual and emotional state of mourning by wearing the right clothes. People who go to the funeral must wear colors of mourning, such as dark red, brown, black, and maroon.
If the person died at an old age, mourners may wear white. Close relatives who are in charge of the funeral may wear bright red to show how sad they are. During the first stages, close family members should wear solid black cloth, while friends and distant family members can wear cloth with hand-painted or embroidered adinkra symbols.
When people wear adinkra cloth, they send goodbye messages to the soul who is moving on or has died. They also let the rest of the community know what those who were there wanted to say. Many adinkra symbols show how the Akan people see the world. They are symbolic pictures of Akan proverbs that show what the people believe, how they think, and how they feel about the world. Many people have their own ideas about Nyame and what he or she is like. Here are some examples of Adinkra symbols that tell something about Akan cosmology.
Asase ye Duru “Asase ye duru se po.” The earth is heavier than the sea. Symbol of providence and the divinity of Mother EarthGye Nyame
“Abodee santan yi firi tete; obi nte ase a onim n’ahyase, na obi ntena ase nkosi n’awie, gye Nyame.”
This Great Panorama of creation dates back to time immemorial, no one lives who saw its beginning and no one will live to see its end, except Nyame. Symbol of the omnipotence, omniscience, omnipresence, and immortalityHYE WO NYHE
“Burn; You do not Burn” “Because God does not burn, I will not burn.”
Symbol of permanancyNsoroma
“Oba Nyankonsoroma te Nyame so na nte ne ho so.”
A child of Nyame, I do not depend on myself. My illumination is only a reflection of His. Symbol of faith and dependency on a Supreme BeingNyame Biribi Wo Soro
“Nyame biribi wo soro na ma me nsa nka!” God, there is something in the heavens, pray let it reach me! Symbol of hope and inspirationNyame Dua
Tree of Nyame. Symbol of the presence of Nyame and Nyame’s protectionNyame Nwu Na Mawu
“Nyame Nti, menwe wura.”
Since God exists, I will not feed on leaves [like an animal or beast]. symbol of faith and trust in NyameSunsum “I Live not when Nyame is not!”
Symbol of the perpetual existence of the human spiritNyame Nti “The Spirit”
Symbol of spirituality, spiritual purity and the cleanliness of the spirit
The term “African oral tradition,” also referred to as “oral literature” or “orature,” refers to a vast body of oral discourse that covers every topic and expression method developed by a people. Oral tradition is a form of art that can be studied using a set of traditional rules that everyone knows and agrees on.The African oral tradition is based on African belief systems and practices. As a result, African orature corresponds to a distinct African manner of speaking.
Oral tradition is a complex body of spoken or spoken art that helps people remember the past based on their ideas, beliefs, symbols, assumptions, attitudes, and feelings. Orature is classified into three types: literary, historical, and erudite. Poetic genres, divination poetry, and songs are all included in the literary. Proverbs, parables, and incantations are also included. Historical narratives include myths, tales, historical dramas, and epics. The erudite category includes secret formulae, prayers, and any other esoteric material.
In traditional African civilization, the poet performs a variety of roles. The griot or court poet for the Mandika of West Africa was in charge of not only singing the ruler’s praises, but also preserving historical events involving the royal or ruling family via songs. He is also the king’s linguist or spokesman. Umusizi from Rwanda in Central Africa, imbongi from Zulu in Southern Africa, and poets from other ethnic groups all fulfilled the same role.
African Oral Tradition
In many African societies, divine kingship is an essential institution. The concept that the monarch is the bodily manifestation of God is known as divine kingship. This belief was shared by the peoples of ancient Nubia and Kemet, as well as those of Southern, Central, East, and West Africa. Griots serve an essential religious purpose. For the griot, who is in charge of chronicling the royal family’s history, history and religion blend.
The generative power of Nommo—the Word—is ever present in traditional African orature. According to ancient African philosophy, the African poet commands things with words. These “magical” poets are not just utilized at the discretion of royalty, but others consult them as well. For example, goldsmiths frequently enlist the help of poets to work their “word-magic” in the production of their craft.
The majority of African languages are purely oral. This is largely due to the importance of spoken language or oral tradition in African culture. Religion and oral tradition have formed a symbiotic relationship since religion permeates African civilization. Rituals and ceremonies are carried out by skilled people who learnt their trade through oral tradition.
African Oral Tradition
Although valuing the poet’s speaking skill, Africans consider orature and its performance (one cannot exist without the other) as useful aspects of society. The goal of orature is to enlighten and rouse the audience into some constructive activity, as well as to begin or support spiritual action.
African literature does not divide literature into poetry, prose, and drama, but rather by the speaker’s or poet’s use of language. There are several examples of language use based on traditional African culture. This is significant because it reveals that among African societies, there is no distinction between a speaking act and a performance. They are the same thing. Speaking is an act. African orature, or traditional African literature, existed alongside or inside African languages. It is not divided into different and independent categories. Hence, the concept of public speaking, or rhetoric, is inextricably linked to performance.
African Oral Tradition
As a result, when we talk about the African oral tradition, we’re talking about artistic verbal expression and its performance in the form of poems, songs, proverbs, myths, legends, incantations, sermonizing, lecturing, testifying, signifying, and other modes based on a complex worldview that aims to elevate and transform society. The spoken word has always dominated communication culture in Africa and the diaspora. This is part of the continuity with Africa’s ancient history.
The Dogon are a West African ethnic group who live in the central plateau area of Mali, south of the Niger bend, near the city of Bandiagara, and in Burkina Faso. The population ranges between 400,000 and 800,000 people. They speak Dogon languages, which are considered an isolated branch of the Niger-Congo language family, meaning they are not connected to any other languages.
The Dogon People are famous for their religious practices, mask dances, wooden sculpting, and architecture. The Dogon’s social organization, material culture, and beliefs have changed dramatically over the last century, in part because Dogon territory is one of Mali’s most popular tourist destinations.
History Of The Dogon People
Dogon People
The Bandiagara Escarpment is a 500-meter (1,640.42-foot) tall sandstone cliff that stretches for approximately 150 kilometers (90 miles) into the heart of the Dogon region.The Bandiagara Mountains may be found to the northwest of the cliff, while the sandy Séno-Gondo Plains can be found to the southeast. Bandiagara is home to Dogon settlements because, a thousand years ago, the Dogon people refused to convert to Islam as a whole.
The Dogon felt threatened by these historical forces, therefore, they settled in strategically defensive areas along the escarpment’s walls. Water availability is another consideration in their site selection process. In the sandstone rock, a rivulet runs at the base of the cliff during the rainy season, and the Niger River is not far away.
The Dogon people have a number of recorded oral histories that detail their ancestry. One relates to the fact that they originated in the Mande region, which is southwest of the Bandiagara escarpment and quite close to Bamako.
It is said that the original Dogon hamlet was located in the southwest corner of the escarpment, in a place called Kani-Na. Studies of the Dogon region’s archeological and ethnoarcheological past have revealed many interesting facts about the area’s settlement and environmental histories, as well as its people’s social behaviors and technology over the course of several thousand years.
In the 15th century, the Dogon moved to the Sanga area by following the escarpment to the north.Some oral tales say the Dogon came from the east, while others say they originated in the west, beyond the Niger River. Most likely, the Dogon of today are made up of people from different ethnic groups who moved away from the spread of Islam.
Islamic law classified them and many other ethnicities of the region (Mossi, Gurma, Bobo, Busa, and Yoruba) as being within the non-canonical dar al-harb and, thus, fair game for slave raids organized by merchants, though it is often difficult to distinguish between pre-Muslim practices and later practices.
Slavery became more important in West Africa as urbanization boosted demand for labor. Historically, invaders have targeted indigenous males for death and taken women and children as slaves.
Art Of The Dogon People
Dogon People
Sculpture is the primary medium of Dogon art. The major themes of Dogon art are faith, independence, and the goals of society (Laude, 19). Dogon sculptures are not meant for public display, and instead are typically maintained in private homes, temples, or with the Hogon (Laude, 20). The symbolic significance of the pieces and the method by which they are created make concealment crucial.
Women grinding pearl millet, women carrying vessels on their heads, donkeys carrying cups, musicians, dogs, quadruped-shaped troughs or benches, bending figures from the waist, mirror images, aproned figures, and standing figures are all common motifs in Dogon sculpture.
Dogon art clearly demonstrates cultural influences and connections. Before the Dogon arrived, several cultures called the Bandiagara cliffs home. Dogon art owes much to Tellem art, particularly in its rectilinear patterns.
Culture And Religion Of The Dogon People
Dogon People
In October 1946, Ogotemmêli, a blind Dogon elder, taught the French anthropologist Marcel Griaule about the most important symbols of the Dogon religion.Prior to his meeting with Ogotemmêli, Griaule had already spent fifteen years among the Dogon people.
During the period of twenty years, Ogotemmêli learned the holy stories from his father and grandpa, and he passed that knowledge on to Griaule. Due to the fact that the Dogon people were still practicing their religion orally at the time of its recording, this document is extremely valuable from a historical standpoint. They were among the last in West Africa to hand over power to the French.
In the 1930s and 1940s, French anthropologists Griaule and Germaine Dieterlen worked with the Dogon people. They said that the Dogon had “their own systems of astronomy and calendrical measurements, methods of calculation, and extensive knowledge of anatomy and physiology, as well as a systematic pharmacopoeia.”The religion had common ground with other traditional African faiths in its emphasis on nature in many forms.
Nummo and Nommo, who were twins, were very important to the spiritual life of the religion.Ogotemmêli described the Nummo, whom he called the Serpent, as amphibians who were variously likened to snakes, lizards, chameleons, and even sloths (because of their slow movement and shapeless neck).
The Nummo were also said to be able to walk on land, and when they did so, they stood erect on their tails. The Nummos, like the chameleon, had mostly green skin that would shift to other hues at will. At various eras, it was believed to display every color of the rainbow.
The Nummo were also known as “Water Ghosts” in other accounts. Marcel Griaule called the Nummo “Dieu d’eau” (gods of water), but Ogotemmêli recognized them as hermaphrodites since they were located on the Dogon women’s side of the sanctuary.
The sun, which was considered a feminine emblem in their faith, was their primary symbol Nummo “Dieu d’eau” (gods of water), but Ogotemmêli recognized them as hermaphrodites since they were located on the Dogon women’s side of the sanctuary. The sun, which was considered a feminine emblem in their faith, was their primary symbol.
The Dogon word for sun, “nay,” came from the same linguistic origin as the words for “mother” (na) and “cow” (n). As a group, they were represented by the traditionally feminine color red.
There was chaos in the beginning of time because of the issue of “twin births” vs “single births,” also known as androgyny versus single-sexed beings. For the Dogon, this idea became a central tenet of their religion. Ogotemmêli observed, “The jackal was isolated from birth, and that’s why he accomplished so much.”
Dogon men celebrated the Sigui festival, which was linked to the afterlife beyond Earth, and the sexless male jackal. It was said to have been held once every sixty years and honored the white dwarf star Sirius B, prompting many to wonder where such information came from. White was the color traditionally associated with men.
Although the male nobles of the Society of the Masks (“awa”) were instructed in the ceremonial language of “Sigi so” or “language of the Sigui,” it was considered a substandard language and included only approximately a fourth of the vocabulary of “Dogo so,” the Dogon word language. At funerals and the “end of sorrow” rites, the “Sigi so” was used to recount the origins of the cosmos, human existence, and the arrival of death on Earth (“dama”).
Once the soulless male Jackal was created, it became necessary to make all humans sterile. The goal was to ensure that no further Jackals or similarly evil beings would ever be able to take root on our planet.” The Nummo predicted that the initial rule of twin births was doomed to extinction, leading to mistakes on par with the jackal’s single-birth occurrence. The first son of God acted as he did because of his isolation.
“The rite of circumcision in the Dogon faith symbolizes the eradication of the second sex and soul from human beings. “Each individual should only have one soul type, and that soul type should be either masculine or female. The old remedies of circumcision and excision are being revived.”
Symbolic of the harmony between humanity and the divine, the birth of human twins was reason for celebration in Griaule’s day Dogon society. Griaule claims that there is a pan-African cult centered upon the birth of multiples. Present-day Islam is practiced by a sizeable population of Dogon. Christians make up another subset of the population.
The patrilineal system is the backbone of the Dogon social order. The male senior of each Dogon village (which may be thought of as an extended family) is responsible for making decisions on behalf of the whole community. This chief is the eldest surviving son of the family’s local patriarch.
Marriage
Dogon People
Even though most marriages in the Dogon society are monogamous, nonsororal polygynous marriages are possible.It is unusual for a guy to have more than two wives, even in polygynous marriages. Each wife in a polygynous marriage has her own home inside the marital complex.
Traditionally, the first wife (known as ya biru) is given more respect and privileges within the household than subsequent spouses. Once the first child is born, the wife officially becomes part of her husband’s family. The parents of the prospective husband do the actual work of choosing a wife. Those who practice endogamy in their marriages only marry within their own clan. As a corollary, intercaste marriage is illegal.
Ladies have been known to leave their spouses before the first child is born. Divorce after having children is a severe and unusual event that usually involves the entire community. Polygamous marriages have double the divorce rate of monogamous ones. A divorce typically results in the wife keeping only the youngest child and leaving the rest with their father. The term “guinna” is used to describe huge families with up to a hundred members.
Several Dogon traditions reflect the people’s deep-seated desire for peace. At one of their most significant ceremonies, for instance, the ladies honor the men, the men express their gratitude to the women, the young show their respect for the elderly, and the elderly acknowledge the achievements of the young. Another example of a cultural custom that the Dogon engage in whenever two people meet is elaborate welcomes.Every day, people in the Dogon community perform this ritual.
During greeting rituals, a long-time member of the group will often ask a new person a series of questions about themselves and their families. The correct response is “sewa,” which indicates that everything is OK. The Dogon, who has made contact with the locals, will next ask the inhabitant how the rest of the family is doing. Neighboring groups have called the Dogon “sewa people” because the term sewa is so ubiquitous in a Dogon community.
Hogon
Dogon People
The Hogon is the village’s political and spiritual head. He is chosen from the eldest males in the village’s most powerful family.
During the first six months after his election, he is not permitted to shave or wash. Everything he wears is white, and he is off-limits to all save the closest of acquaintances. A young woman who has never had her period takes care of him, doing things like cleaning the house and making him meals. At the end of the day, she goes home to rest.
He dons a scarlet fez upon initiation. He wears a pearl armband as a badge of office. One of his wives steps in for the virgin and goes back to her own house for the night. This means that the Hogon is confined to his home by himself. Lébé, the holy snake of the Dogon, is said to visit each man at night to wash him and impart wisdom.
Circumcision
Dogon People
According to Dogon belief, all human beings, male and female alike, are born with both sexes already present. The foreskin is feminine, while the clitoris is masculine. (Historically, Dogon belief said that man has two souls; circumcision served to rid him of one. This is why sex-specific rites of passage like circumcision are so important.
In the United States, males are circumcised in three-year increments, starting at age 9 and continuing until age 12, for example. They’ve officially graduated from the ranks of the uninitiated. The circumcision is done by the blacksmith.
Following that, they isolated themselves from the rest of the tribe for a few days in a hut to let the wound heal. At the end of the ceremony, the newly circumcised guys exchange gifts. They use a rattle-like instrument constructed from a wooden rod and calabashes to create their music.
Men who have recently been circumcised are expected to go around naked for a month so that the rest of the tribe might marvel at their maturity and physical transformation. Even in the dead of winter, this tradition continues as it has for decades.
After the rite of passage of circumcision, a boy is considered an adult and leaves his father’s home. He and the other males in his age group form a “due” and stay there till they get married and start a family.
One type of female genital mutilation done by this and other African ethnic groups is type I circumcision, in which the clitoris is cut off.
The circumcision cave in Songho is decorated with black and white rock drawings of animals and flora. A cave not far away is used for storing musical equipment.
Dogon Mask Societies
Dogon People
The masked dancing society known as the Awa performs ritual and socially significant dances. It has a secret language and a stringent set of rules governing behavior (sigi so). Apart for some members of certain castes, all initiated Dogon males take part in Awa. Women are not allowed to participate in sigi so and are not allowed to study the language.
The elaborate masks used by the Awa during ceremonies are a defining feature of their culture. The Awa are known for their performance skills during two main events: the sigi ritual and the dama burial ceremony.
Sigi is a ceremony performed by everyone in a society to remember and respect its founding parents. The’sigi’ includes every member of the Dogon people and is thought to have begun as a way to unify and preserve peace among Dogon communities.
It all kicks out at the most northerly section of Dogon territory, and the villages take turns hosting the celebrations and ceremonies that follow. The fresh masks are carved at this time and presented to the ancestors. Every 60 years, a new’sigi’ is begun, and each town celebrates for about a year before passing the honor on to the next.
There are two sections to a Dogon funeral ceremony. The first is right after a person dies, while the second might take place years afterwards. Second traditional funeral ceremonies, known as “damas,” are becoming extremely rare because of their high cost.
Damas are still performed today, although they are mainly done as entertainment for visitors interested in the Dogon way of life rather than for their original purpose. The Dogon make money off of this spectacle by charging visitors to view whatever masks they like and for the event itself.
During the traditional dama, participants don masks and engage in a series of ritual dances and ceremonies meant to guide the spirits of the dead to their graves. Dogon damas involve a wide variety of objects, such as masks worn by fastening them in the wearer’s teeth and statuettes.
It’s possible that the masks used during the dama ceremony are decorated differently in each of the Dogon villages. The rituals associated with dama may be carried out in a variety of ways depending on the community. Dama is the one-day event that takes place just after a person dies and is known as the Halic.
Shawn R. Davis claims that the yingim and danyim may be seen in this rite. The masks used in the yincomoli ceremony are announced with the smashing of a gourd over the deceased’s wooden bowl, hoe, and bundukamba (burial blanket), while the entrance to the deceased’s dwelling in the family complex is decked with ceremonial components.
Masks such as the Yana Gulay, Satimbe, Sirige, and Kanaga are worn by participants in the yincomoli rite. The Yana Gulay mask is crafted from cotton fabric and cowell shells to represent a Fulani lady.
The women ancestors, symbolized by the Satimbe mask, are credited with discovering the masks’ true function: to usher the souls of the departed into the afterlife. Only men who were still alive when the Sigui ritual (described further below) was performed wear the tall Sirige mask during their burial (Davis, 68). At one point, the Kanaga maskers would sit and dance next to a bundkamba, which symbolizes a loved one who has passed away.
There are several days dedicated to both the yingim and danyim ceremonies. Those who have passed away since the previous Dama are remembered during these celebrations every year. To aid in driving the ghost, known as the nyama, away from the deceased’s corpse and the village, the yingim involves the sacrifice of cows or other valuable animals and enormous pretend battles.
Thereafter, a few months later, the danyim takes place. Each community celebrates the danyim in their own unique way, although typically it lasts from three to six days and consists of daily morning and evening dances performed by masqueraders.
Masqueraders perform elaborate dances on the roofs of homes belonging to the deceased, as well as in the streets of the hamlet and the surrounding fields. According to legend, the dead will continue to be responsible for any misfortune until the masqueraders have finished their dances and all rituals have been done.
Dogon Astronomical Beliefs
Dogon People
Many writers, starting with the French anthropologist Marcel Griaule, have said that the traditional religion of the Dogon includes information about things in the sky that can’t be seen with the naked eye.
This theory has made its way into the New Age and ancient astronaut canons as proof that aliens visited Mali in antiquity. Other authors have questioned Griaule’s account. They say that Europeans who visited the Dogon people in the early 20th century are a much more reliable source of such information.
Throughout the years 1931, 1935, 1937, and 1938, as well as annually from 1946 to 1956, Griaule spent anything from a few days to two months among the Dogon. Griaule and Dieterlen based a great deal of their writing on their chats with the Dogon wiseman Ogotemmêli, which took place over the course of 33 consecutive days in the latter half of 1946.
According to what they heard, the Dogon people consider Sirius (sigi tolo, “star of the Sigui”) to be accompanied by two more stars: p tolo (the Digitaria star) and mm ya tolo (the female Sorghum star). In the Dogon system, Sirius was one of the centers around which a much smaller star, the companion star Digitaria, orbited.
When Digitaria draws closer to Sirius, the brightness of Sirius increases, but as it recedes, the star seems to twinkle, giving the impression that there are several stars in the sky. In orbit, a whole cycle can take up to half a century. In addition, the Dogon people were said to have an apparent familiarity of Jupiter’s moons and Saturn’s rings.
In a prologue to their research of the Sudanese star system, Griaule and Dieterlen said, “The challenge of knowing how, with no tools at their disposal, men might know the motions and certain features of almost invisible stars has not been settled, nor even asked.”
According to Griaule and Dieterlen’s account, the Dogon people appear to know that Sirius is part of a binary star system, whose second star, Sirius B, a white dwarf, is completely invisible to the human eye (just as Digitaria has the smallest grain known to the Dogon), Robert K. G. Temple wrote a book titled The Sirius Mystery in 1976, arguing that the Dogon’s system reveals precise knowledge of cosmological facts known only to FriedrichAfter that, Temple contended that the Dogon’s knowledge of the constellations suggests an alien transmission if it can be traced back to ancient Egyptian texts and folklore. Neither Griaule nor Dieterlen ever suggested such a fantastical origin for the Dogon’s wisdom.
In more recent times, however, Griaule and Dieterlein’s findings have been questioned. In a 1991 article in Current Anthropology, anthropologist Walter van Beek concluded after his research among the Dogon people that, “Though they do speak about sigu tolo [which is what Griaule claimed the Dogon called Sirius] they disagree completely with each other as to which star is meant; for some it is an invisible star that should rise to announce the sigu [festival], for another it is Venus that, through a different position, appears as sigu tolo. Nonetheless, everyone agrees that Griaule was the one who first told them about the star.
Geneviève Calame-Griaule, Griaule’s daughter, replied in a later issue that Van Beek didn’t “take the right steps to learn” and that van Beek’s Dogon sources may have thought he was sent by the political and administrative authorities to test the Dogon’s Muslim orthodoxy.University of California, Berkeley, professor Andrew Apter offers an impartial evaluation.
Ian Ridpath, a skeptic who wrote in 1978, said, “There are many ways the Dogon could have learned about the West before Griaule and Dieterlen came to visit.”During a five-week mission conducted by Henri-Alexandre Deslandres to research the solar eclipse of April 16, 1893, Noah Brosch speculates in his book Sirius Matters that the Dogon people may have made contact with astronomers living in Dogon territory.
Robert Todd Carroll adds that it is more likely that interested tribal members learned about the Sirius star system via contemporaneous, terrestrial sources. In referencing these theories, James Oberg emphasizes how hypothetical they are by asking, “The clearly sophisticated astronomical knowledge must have come from someplace, but is it an ancient legacy or a recent graft?”
Notwithstanding Temple’s inability to disprove its supposed antiquity, the proof for the information’s recent acquisition remains purely circumstantial. James Clifford adds that Griaule distrusted Christians, Muslims, and anybody with too much contact with Europeans, and actively sought out informants who were best suited to speak of traditional lore.
Oberg identifies other misconceptions held by the Dogon people, such as the number of moons Jupiter has, Saturn’s position as the furthest planet from the sun, and the fact that it is the only planet with rings. His interest in other seemingly implausible statements (such as the existence of a red dwarf star around Sirius, which was not postulated until the 1950s) prompted him to consider Temple’s earlier challenge, with Temple claiming that he “gave another line of argument.” ”
To examine the Dogon data’s prediction mechanisms, we must do it without bias. If a Sirius-C is located and confirmed to be a red dwarf, for instance, I will accept the Dogon data as definitive.
Another star in the Sirius system, mm Ya, was supposedly known to the Dogon People. It was “bigger than Sirius B but lighter and lower in magnitude,” according to the stories. The existence of a brown dwarf star (a Sirius-C) in a six-year orbit around Sirius was first suggested by gravitational studies in 1995.
Although the likelihood of a triple star system for Sirius is “now low,” it cannot be ruled out entirely, according to more recent research that used sophisticated infrared photography to reach that conclusion. This area, which is within 5 AU of Sirius A, has not been explored.
Aksum was the capital of a powerful kingdom that formed in the highlands of northern Ethiopia (Tigray) and southern Eritrea during the early centuries CE. Sociopolitical complexity in this area started to grow in the first half of the last millennium BCE, but its economic foundations are much older.The time period during which the Aksumite civilization must have developed is still poorly known. Hardly no archaeological sites from the past several centuries BCE or the first century CE have been studied in the relevant area.
There is no evidence of human habitation at the exact location of Aksum until the first century AD, when the Periplus of the Erythraean Sea, a trader’s guidebook to the Red Sea and India Ocean coastlands, alludes to the port of Adulis near present-day Massawa in Eritrea and “the people called Aksumites.” By the third century CE, Aksum had become the capital of a great centralized monarchy, master of immense resources, ruler of vast territory, and issuer of its own money, which circulated both locally and globally.
At this time, the rulers of the Kingdom Of Aksum had been elevated to the status of kings. Inscriptions from the early fourth century suggest that they embodied the state’s authority and achievements. These inscriptions brag of extensive military conquests and tribute collections. We know relatively little about the procedures by which royal power was executed or passed from one generation to the next, owing largely to their individual grandiloquence.
There are signs that Aksum was controlled by a dual royal family at times. Both contemporary foreign records and subsequent Ethiopian traditions suggest that monarchy was passed down through the male line; however, it is difficult to tell whether these suggestions reflect ancient Aksumite fact or transferred assumptions based on foreign or subsequent experience.Yet, it is undeniable that Aksum quickly placed itself in nominal control (however exercised) over a vast area, acquiring extremely large manpower and material resources as a result.
Except from the extreme north and west, these domains appear to have encompassed much of modern Eritrea, as well as the majority of what is now Ethiopia’s Tigray region, with its southern limit unknown. Aksumite governmental power at times stretched eastward across the Red Sea to the Yemeni highlands and, less likely, westward to the Nile valley. Whether or not Aksum eventually conquered Meroe in the fourth century, there is no question that Aksum’s ascendancy contributed to the economic collapse of its Nilotic neighbor. Several prisoners are mentioned in Aksumite royal inscriptions.
Killing is not explicitly recorded; rather, the prisoners are said to have been kept alive by their captors. This is consistent with archaeological data, which reveals that Aksum had a large work force available for processing raw materials and creating extravagant structures. The extent to which these individuals were either temporarily or permanently enslaved is uncertain. There is credible archaeological evidence of a sizable population living in material abundance. There are stone building ruins in and around Aksum, with a lofty central structure surrounded by a wide walled court and a series of chambers.
kingdom of Aksum
These constructions are commonly referred to as “palaces” in ancient literature, but the more ambiguous “elite structures” is probably a better term. The greatest and most intricate of these buildings was Ta’akha Maryam in western Aksum. Buildings with archaeological dating data were most likely built in the fifth or sixth century; we don’t know if similar structures existed earlier. During the second century CE, however, funerals were accompanied by grave items of variable richness, some of enormous quantity, indicating uneven access to resources.
Although archaeologists and historians have focused almost entirely on foreign features of the Aksumite economy, there is no doubt that this economy was locally based on land productivity and indigenous Ethiopian agriculture. According to a recent study, while sheep and goats were herded, cattle were the major domestic mammal utilized for both food and traction. There were also donkeys and chickens available. Inscriptions show that the herds were supplemented during military expeditions through capture and tribute.
The variety of farmed crops was very comparable to that used in the region more recently, including wheat, barley, teff, finger millet, and sorghum, as well as chickpeas, noog, and linseed. Cereals predominated as a result, including varieties from the Near East as well as indigenous domesticates. Linseed and the locally cultivated noog were used to produce oil. Grape and cotton traces have also been detected; in neither case can it be determined if the plants were cultivated locally or if their yield was imported from elsewhere.
kingdom of Aksum
Grape plants, however, were known to the ancient Aksumites and are depicted in modern artworks; and rock-cut tanks in the area may have been utilized for wine production. The Aksumites imported luxury products from a variety of sources, as evidenced by both written and archaeological evidence. Glassware, beads, metals, textiles, wine, and, most likely, olive oil were among the things in question.
The extent to which these imports stimulated local production has only recently become clear: glass vessels, for example, were made in imitation of foreign forms, Aksumite metalwork displayed great technological and artistic sophistication, and wine was likely obtained from both local and imported sources. According to the Periplus of the Erythraean Sea, ivory was a major Aksumite export in the first century CE, and archaeological evidence now verifies this for subsequent eras as well. A late-third-century tomb contained large amounts of highly turned and carved ivory in the shape of boxes, ornamental panels, and furniture-components that are thought to have been pieces of an exquisite chair or throne.
Very standardized flaked stone tools were employed in massive quantities to prepare raw material, maybe ivory or lumber, in workshops on the outskirts of Aksum. Another large export might have been gold. It was used to make coins beginning in the third part of the third century, with Aksum being the only nation in Sub-Saharan Africa to have generated its own money in ancient times. Denominations were struck in gold, silver, and copper, with the latter two metals frequently embellished by the application of gilding to specific areas of the design.
Aksumite gold coins are rare in Ethiopia and Eritrea, but are more common elsewhere, particularly in Yemen and India; they nearly always have Greek inscriptions. This, together with the fact that their weight was evidently based on eastern Roman Empire norms, shows that they were primarily intended for worldwide distribution. Coins of silver and copper, on the other hand, are significantly more prevalent on Aksumite sites and have inscriptions in the local Ge’ez language, as befits media whose circulation was mostly internal.
kingdom of Aksum
The study of Aksumite coinage bearing the names of succeeding kings allows for an ordering of the numerous issues as well as the rulers identified in their inscriptions. The names on the resulting “king-list” are difficult to associate with those retained in conventional sources, with the only undeniable linkages supplied by monarchs Ezana in the mid-fourth century and Kaleb early in the sixth. The study of Aksumite currency sheds information on various other facets of its parent civilization, including art forms, metallurgy, regalia, and religion.
It gives a clear indication of the acceptance of Christianity at Aksum under the reign of Ezana, an event likewise recounted in surviving Aksumite stone inscriptions, Roman historical records, and (less directly) Ethiopian historical tradition in the last mentioned instance. Prior to this event, which most likely occurred about 340 CE, the Aksumite monarchs followed polytheistic rituals similar to those found in South Arabia, as evidenced by the adoption of the crescent-and-disc sign on the oldest Aksumite coinage.
Under Ezana’s rule, this sign was replaced by the Christian cross. The cross was later given increased prominence in currency design, often accompanied by an inscription signifying the Aksumite countryside’s increasing embrace of the new faith. The acceptance of Christianity had a significant impact on the following history of Aksum, which came to be considered a possible ally in both theological conflicts and political intrigues by Roman and Byzantine rulers. Most of the Ethiopian and Eritrean highlands have remained firmly Christian ever since; the Ethiopian Orthodox Church links its origins and authority to Aksum, which is a sanctuary of incomparable holiness to this day.
The Cathedral of Maryam Tsion (Saint Mary of Zion) in Aksum was constructed in antiquity. There is debate about whether this occurred under Ezana’s reign or, later, during Kaleb’s. In any case, it was a five-aisled basilica that remained, presumably modified, until the sixteenth century; the massive platform on which it stood can still be seen. Aside from church buildings, none of which can be precisely dated, the Aksumite archaeological record only shows the influence of Christianity’s arrival on the burial rituals of the elite.
The most notable relics of ancient Aksum are the massive monolithic stelae, carved in depictions of multistory structures; one, which still stands, is 23 meters tall and weighs around 150 tons. Another, which most likely collapsed and shattered while being built, would have stood 30 meters tall and weighed more than 500 tons. It might be the largest single monolith ever attempted to be built anywhere in the world. These stelae were quarried around 4 kilometers from where they were built. Their extraction, cutting, transportation, and construction would have necessitated a massive manpower investment.
The greatest stela was designed to mark a pair of graves, one of which was a massive construction of remarkable intricacy and majesty. There is no doubt that the other big stelae were tomb-markers as well, and that these graves were by far the finest such structures at Aksum. The greatest stelae and related graves are most likely from the third and fourth centuries, just before the arrival of Christianity under Ezana. Later elite tombs were different in that they lacked stelae, but other aspects of their architecture suggest continuity with older traditions. Throughout most of Northern Africa, upright stones have been used as burial markers for thousands of years.
kingdom of Aksum
One particular local form of this practice can be seen at Aksumite sites. The practice was observed at various levels of Aksumite society, with ornate (possibly royal) specimens contrasting with shaft or basic pit graves marked with plain or naked smaller stelae. The number and elaboration of the connected burial goods vary correspondingly. The residential architecture mirrors this funeral evidence for socioeconomic stratification. The above-mentioned Aksumite “palaces” or aristocratic constructions used the same materials and stone dressing of comparable grade as the greatest burial monuments.
Unfortunately, no archaeological evidence has been identified that would allow a confident evaluation of the uses of these buildings. These may, however, be contrasted with other buildings linked with farming interests and/or small-scale artisan businesses, which are created on a lesser scale utilizing simply undressed stone with or without supporting timbers. The real residences of Aksumite society’s lowest layers have most likely not yet been discovered; they are, however, most likely represented by clay replicas of little thatched cottages. The limited survival of the material has constrained our understanding of Aksumite art.
Apart from burial structures, most of the remaining Aksumite architecture is in poor condition and difficult to date. Religious structures from this time period have received little attention, and it is likely that few, if any, have survived except in significantly altered form. The ancient cathedral at Aksum is only known through tales written several centuries after the structure was built. Similar sources describe the existence of rich and intricate mural decoration, none of which has been physically preserved.
Similarly, historical records describe the existence of massive metal statues, but little archaeological evidence has been preserved, with the exception of a stone base documented in 1906. Home and portable artifacts are better known. Pottery was manufactured entirely by hand, as was the case across Sub-Saharan Africa, without the use of a wheel. The lavishly adorned goods known as “Classical Aksumite” are mostly known from burial settings from the third and fourth centuries; nevertheless, it is unclear to what degree such vessels were the exclusive domain of the aristocracy and/or reserved for interment with the dead.
Intricately painted artwork has been preserved in select cases, almost always in graves, although it is possible that it was common. Several of the pots found in tombs are tiny and poorly burned, with soft fabric that stands in stark contrast to material recovered from domestic habitation sites. The whole importance of this variance in terms of date, status, and function will not be appreciated until more excavations are conducted and published. Bowls with molded figures of yoked oxen in the foot and jars with necks fashioned in depictions of female heads with ornate hairstyles that strikingly match those popular in the area today are examples of important ceramics.
Although it has not yet been shown to be practicable to conduct the comprehensive fabric analyses required to demonstrate this, it is reasonable to believe that most household pottery was created near to its intended usage. Yet, some finer and smaller boats were hauled over long distances. Although some Aksumite pottery has been slipped and beautifully polished, real glazes are mostly found on pieces imported from outside the Aksumite state (mostly wheel-thrown).Imported pottery may be classified into two categories: vessels brought to Aksum primarily as receptacles for some foreign product, and vessels brought as luxury pieces in their own right.
Large amphorae from Cyprus or Syria that carried wine or olive oil and beautiful red-ware bowls made of African red slip porcelain in the Mediterranean areas of North Africa are examples of the two groups. After their contents had been drunk or eaten, the former were often used for other things, while the latter’s unique shapes were copied by Aksumite potters. There are a lot of glass vessels and beads at Aksumite sites, especially but not only in the graves of the elite.
People used to think that all of this stuff was brought in, and some of it is very similar to things found at other sites in the eastern Mediterranean. Nevertheless, comparisons for some objects have been exceedingly difficult to uncover, and many boats, while closely matching their Mediterranean equivalents, have distinctive characteristics. The discovery of raw glass in an Aksum industrial area, offering unambiguous proof that some glass was worked there, has lately validated the idea that some of these artifacts were made in Aksum, maybe by reworking imported glass that may have been shattered in transit.
Such a technique was not unique to Aksum, since it has been documented at other, broadly contemporaneous sites in Sudan’s Nile Valley. It is not yet possible to differentiate all imported glass containers from those manufactured locally, although both groups are clearly represented. The Aksumite archaeological record is rich in gold, silver, ferrous, and cuprous metals. In addition to basic smelting and forging, we have evidence for welding, riveting, producing even-thickness plates, drilling, perforating, casting, polishing, plating (including both annealing and mercury gilding), and enameling.
kingdom of Aksum
Despite the recovery of slag and crucible fragments, no large Aksumite metalworking site has been discovered. Wherever they were, such sites and their related debris must have been massive, and their operation must have required a significant amount of work and fuel. Quarrying must have necessitated the use of a considerable number of iron wedges, none of which have been discovered. The enormous size of Aksumite metallurgy suggests that it was mostly local, including the fabrication of utilitarian and luxury goods: although, a few imported luxury artifacts have been identified.
Along with the technological complexity indicated by the working of metal, ivory, and glass, it is crucial to note that the Aksumites continued to create and utilize flaked stone tools, carrying on traditions established in the area for many generations, if not millennia. This, as well as the agricultural basis on which the civilization’s eventual wealth was based, highlight ancient Aksum’s local origins. While examining imports, it is critical to evaluate both the intangible and the directly documented in the archaeological record.
Christianity itself must be included here, since it developed to hold a significant role in governmental and public affairs in later Aksumite periods and lasted for hundreds of years after Aksum’s fall. Aksum’s aspirations to join the eastern Mediterranean realm were expressed in the third century by the use of Greek in stone inscriptions and the issuance of coins. Notwithstanding significant gaps in study coverage, several evolving patterns in Aksumite material imports may be suggested. Glass and a few pieces of metalwork are documented in the third and early fourth centuries, with pottery from beyond the Aksumite rule essentially absent.
But, by the sixth century, glazed pottery from Mesopotamia and Egypt had been imported, as had amphorae and their contents from Cyprus/Syria and the northern Red Sea, and bowls from North Africa. The archaeological record of destination nations makes it more difficult to identify Aksum’s exports, although gold coins in both Yemen and southern India/Sri Lanka demonstrate the degree of diffusion. Ivory has yet to be traced back to its original source, but it is tempting to connect its price decrease in the Roman Empire around the late third century and its unexpected shortage beginning in the early seventh century, to the shifting fortunes of Aksum’s export trade.
The fall of Aksum is a source of contention. Ethiopian tradition is frequently understood as proving the country’s continuance as a political capital until the tenth century, and Aksumite currency was formerly viewed as continuing until that era. Nevertheless, more comprehensive research has shown a substantially shorter coinage chronology, which has lately been supported by radiocarbon dates for late Aksumite occupancy. It currently appears that coinage production halted about the early seventh century, and that the extent of the human population at Aksum had reduced significantly by then, or shortly before. Two variables may have contributed separately to this reduction.
Locally, the scale of the area’s exploitation over the previous half-millennium must have had a significant impact on the essentially fragile environment: reduced availability of timber for construction and fuel would have reduced availability and increased the cost of metal and numerous other commodities; increased runoff and soil erosion would have reduced agricultural productivity and predictability, affecting not only the overall prosperity and physical well-being of the people. Globally, the quick development of Islamic rule over the territories bordering the Red Sea, most notably Egypt’s conquest in 642, completely severed Aksum’s link with the long-distance trade on which its prosperity had depended.
For decades after that, the peoples of highland Ethiopia evolved their mostly Christian traditions on an island surrounded by Islam, with only shaky ties to their fellow believers around the Mediterranean. The influence of ancient Aksum may be observed most vividly in the architecture and other accessories of medieval Ethiopian Christianity. Churches erected (as in Debra Damo) and rock-cut (as in Lalibela) show the timber-frame architecture seen in the Aksum “palaces” and shown on the carved stelae.
By 1324, Mali had established itself as a fantastically affluent kingdom under the leadership of a benevolent and religious sultan, Mansa Musa, who ruled around a hundred years after Sundiata. To the north, he conquered the salt-rich regions of the Taghaza area; to the east, he reached the frontiers of the Hausa lands; to the west, he expanded into the lands of the Fulani and the Tukulor; and to the south, he included the trading centers of Gao and Timbuktu into his empire.
Mansa Musa didn’t just expand his empire by force; he also dispatched diplomats to neighboring countries like Morocco and Egypt. By creating several mosques around the empire and recruiting experts from Egypt, he worked to solidify Mali’s position as a center of Islamic study. While on his trip to Mecca to complete the hajj (pilgrimage) in the summer of 1324, Mansa Musa made headlines in Cairo. This may have been the defining moment that brought international attention to him and his kingdom.
The sultan of Mali arrived in Egypt with a massive entourage consisting of wives, slaves, soldiers, court officials, and one hundred camels carrying loads of gold to cover expenses. He spent so much money that he single-handedly drove down the price of gold in Cairo. According to tradition, it stayed low for years after he got there.
A second pilgrim, the Moroccan scholar Abu ‘Abdallah Ibn Battuta (1304–c.1369), set off for Mecca in 1325 with the same goal. Ibn Battuta set off on a long series of journeys after his pilgrimage to Mecca, writing meticulously about the governments, people, and lands he encountered along the way. His writings are now considered indispensable to the study of world history, and are often the only surviving records of certain eras or regions.
Ibn Battuta seemed to travel for the sake of travel itself, but his scholarly training as a student of Middle Eastern Sufi saints and his judicial experience made him more than just a welcome guest in the palaces and courts he visited; they also made him eligible for positions of authority in Islamic states. After making his way through North Africa, Egypt, Palestine, and Syria to Mecca, the young scholar continued his journey through Persia, East Africa, Oman, the Persian Gulf, central Arabia, Delhi, Asia Minor, west Central Asia, China, Ceylon, the Maldives, Burma, Sumatra, and Granada.
It wasn’t until 1353 that he finally made his way over the Sahara to the Mali Empire. Ibn Battuta’s motivations for visiting Mali are unknown. Others believe Ibn Battuta wanted to see the Muslim lands of West Africa simply because they were an important part of the Islamic world that he had not yet visited; still others argue that Ibn Battuta undertook the trip at the behest of the Marinid sultan Abu ‘Inan; and still others believe he may have been seeking an appointment with and the favor of yet another Muslim ruler, as he had done so many times before in his travels.
As a whole, Ibn Battuta did not think much of Mali upon his first visit there. When he arrived in the town of Walata, located in the far north, he was insulted by the governor, who avoided speaking to him personally and instead communicated with him through an intermediary. He was reportedly taken aback by the meagerness of the welcome meal—a bowl of millet served with yogurt and honey—stating, “After this supper, I knew for certain no good was to be anticipated from them, and I longed to go.” Yet Ibn Battuta lingered for over a year in Mali and did not leave.
There were still occasions when the traditions of the Mali people, especially those pertaining to the treatment of women, startled, dismayed, and disappointed him. He was shocked to see that his Mali colleagues in the judiciary were openly flirting with and inviting women who were not relatives into their homes, and even more shocked to learn that their spouses were engaging in conversations with guys they had never met before.
The Moroccan jurist also had problems with other parts of Malinke culture, like how the people show the sultan a lot of respect (they wear rags, hit the ground with their elbows, and throw dust on themselves when they enter the palace), how the poets dress in strange feathered outfits, how slave women, female servants, and even the sultan’s daughters often appear in public naked, and how the masticatory system is used by many people.
To add insult to injury, the sultan had not shown him the kind of hospitality befitting a man of his rank, which further irked him. He made jokes about “their frailty of mind and their exaggerating the little” in response to the sultan’s initial welcome gift of “three round pieces of bread, a piece of meat fried in gharti, and a calabash of sour milk.” When several months passed with no more acknowledgment from the sultan, Ibn Battuta criticized the sultan, telling him that his reputation among other Muslim monarchs would suffer if they learned of his treatment of foreign guests. The sultan then gave his guest a palace and a large annual sum of money.
This did not stop Ibn Battuta from calling Mansa Sulayman “a miserly ruler,” though. The order and safety of the kingdom under Mansa Sulayman were appreciated by Ibn Battuta, who otherwise had nothing but negative things to say about the country. Noting that “their sultan does not forgive anyone in any matter to do with injustice,” he went on to describe the sultan as a fair and just ruler, praising the fact that when a foreigner dies in Mali, the sultan does not seize the deceased’s property but instead keeps it safe until the “rightful claimant” can come forward. He praised the capital city’s palaces and mosques for their beauty and sophistication (their exact location is not known).
The piety of the sultan and the populace, the practice of wearing white on Fridays for prayers, and the emphasis placed on learning the Quran all left a positive impression on him. Ibn Battuta’s life improved once he left the main city. When he traveled through Gao, he was impressed with the country’s bounty and kind rulers.
After nearly a month in Gao, Ibn Battuta continued his journey back, eventually returning to Fez in the early months of 1354. As a result of his report to the sultan, the sultan ordered him to stay in Fez and keep a journal of his voyage. After nearly two years of collaboration with his secretary Ibn Juzayy, he completed the report titled “A Gift to the Observers Concerning the Curiosities of Cities and the Marvels Encounters in Travels.”
Of the traveler’s latter life, we know little. He apparently served as a judge (qadi) at a small village in the countryside, where he remained until his death in 1368 or 1369. It’s ironic that his chronicles, so important to modern historians, weren’t widely read until well over 500 years after his death. During Ibn Battuta’s time in Mali, the country was ruled by Mansa Sulayman, who took power when his brother Mansa Musa died in 1341.
While the empire was on its last legs, Mansa Sulayman was at the helm. Mansa Sulayman, like his brother, was revered as a religious leader, and he also proved to be a skilled administrator, ensuring that trans-Saharan trade between Mali and other countries continued to thrive under his reign. A decrease in power began once Mansa Suleyman’s rule ended.
By 1400, several provinces of the empire (including Gao) had rebelled against the central government, and still others were being invaded (such as Walata and Timbuktu, taken by the Tuareg). By the time it reached its peak in the early to middle 1600s, Mali was no longer a political, economic, or cultural center in West Africa.
People from India’s indigenous communities are referred to as Adivasis. The word “Adivasi” was first used in the 1930s, largely as a result of a political movement to forge a sense of identity among the various indigenous peoples of India, and it is derived from the Hindi words ‘adi’, meaning from the earliest times or from the beginning, and ‘vasi,’ meaning inhabitant or resident. The Adivasis have a legal and constitutional designation as “scheduled tribes,” but this word does not apply to all indigenous peoples because it varies from state to state and region to region.
The Adivasi people are not a unified entity. There are about 200 different Adivasi groups, each with its own language and culture. But they share the same subjugated status in Indian culture and a similar manner of existence.
In the most recent count, taken in 2011, Adivasis made up 8.6% of the overall population of India, or around 104.3 million people. The true proportion of India’s population is likely to be far larger than the official estimates suggest. Although Adivasis may be found in all parts of India, they are concentrated in the country’s most inaccessible mountainous and hilly regions.
History Of The Adivasi People
The Adivasi People
Adivasis, whose name means “indigenous people,” are the earliest known residents of the Indian subcontinent and historically occupied far more land than they do today. It appears that many of them were forced into the hill areas during the invasions of the Indo-Aryan tribes around 3,000 years ago, but beyond that, very little is known about their history. While indigenous communities were not fully accepted into Hindu caste society, there were many opportunities for interaction.
Adivasis traded with established villages on the plains and often paid homage to Hindu monarchs, therefore, their religion has many Hindu elements (and vice versa). Some Adivasi kings and queens reigned over non-Adivasi peoples, while others settled down and became part of caste society.
In the late eighteenth century, when the British established unified political control, the government finally began to make deep inroads into Adivasi society. The invasion of non-indigenous peoples onto Adivasi territories may be traced back to the advent of money, government officials, and moneylenders during British administration. From the middle of the nineteenth century forward, the Adivasi population rose up in numerous regions of eastern India, forcing the government to acknowledge the people’s precarious condition and enact legislation to save their lands from encroachment.
Some of these rules (which are still in effect) prohibit the transfer of indigenous land to those who are not members of the Adivasi community and provide for the return of land that has been alienated. However, dishonest businesspeople and loan sharks developed methods to ignore these regulations in everyday life. Adivasis still face the same issues today, but instead of tiny merchants and moneylenders, their adversaries are more likely to be multinational corporations and government agencies.
Christian missions began proselytizing in some indigenous communities, where they had some success (in contrast to Hindu and Muslim areas) and where they also launched a process of education and political awareness, especially in the north-east. Only in the northeast did Adivasis have enough political consciousness to demand secession or autonomy in the lead-up to independence.
Constitutional Status Of The Adivasi People
The Adivasi People
Adivasis, along with other formerly marginalized groups, were granted more legal protections in the 1950 Constitution. Most native communities were placed on a list of “scheduled tribes.” To define “castes, races, or tribes which shall, for the purposes of this Constitution, be regarded as scheduled tribes,” Article 341 gives the President of India the authority to do so.
In 1951, voters approved Amendment 1, allowing the government to prioritize the economic and social development of “scheduled castes” and “scheduled tribes.” The government’s yearly report on the status of the nation’s scheduled castes and tribes may be found in the pages of a report put out by a special commission. These documents detail abuses committed against Adivasis and provide solutions to improve their lot.
Political Representation Of The Adivasi People
The Adivasi People
Reservations are made for members of the scheduled tribes in both Parliament and the state legislatures. Scheduled tribes have 7 percent of the seats in both the Lok Sabha and the Rajya Sabha of Parliament designated for them, and they are similarly represented in the state assembly at the rate of their population share. However, favored legislation can be prevented by entrenched interests due to the fact that scheduled tribe voters are always a minority in the reserved seats and in the legislatures as a whole (save in the north-eastern states where they constitute a numerical majority).
Furthermore, the system does not promote scheduled tribal organizing by independent parties but rather restricts such activity to the big parties, particularly the Congress Party. To better manage the needs of scheduled tribes, governments often employ ministers and even cabinet members who are members of those tribes. It was indigenous MPs who initiated the formation of the Bhuria Committee to ensure that Articles 73 and 74 of the Constitution, which devolve jurisdiction to the Scheduled Areas, would be updated to reflect the current political climate. The group released their findings in January 1995.
Reactions to the Bhuria Committee report were not unanimous. Although many people believed the committee’s approach should be supported, it was condemned for excluding numerous indigenous communities from its recommendations and failing to take gender into account.
Except in the northeastern regions, there haven’t been many attempts to create separate political parties for scheduled tribes. Probably the most illustrative case is the Adivasi regionalist Jharkhand movement in eastern and southern Bihar, which has been active since independence.
An early indigenous uprising against land expropriation under British control began among the Santhal peoples in eastern Bihar and western Bengal. Some of this region is home to India’s largest mineral reserves and mining; consequent industrialization and deforestation have added to Adivasi discontent.
In 1950, the Santhal Praganas and Chotanagpur regions of West Bengal, Orissa, and Madhya Pradesh became the focus of a new political movement called the Jharkhand Party. A dynamic Santhal leader who worked closely with and subsequently joined the Congress Party resurrected the party in 1973 by forming a new party called the Jharkhand Mukti Morcha (JMM). This resulted in the JMM’s dissolution into many factions; however, in 1987, a new coordinating body, the Jharkhand Co-ordinating Committee, was founded, with over fifty component organizations.
They attempted to establish a parallel government and organized a series of bandhs (strikes) and large-scale protests in favor of their objectives. Despite an agreement made on September 2, 1992, in which the federal and state governments legally promised to offer some autonomy to the Jharkand area, neither the national nor the state governments ever really considered making any concessions towards the foundation of a Jharkhand state.
The Bihar state assembly enacted the Jharkhand Area Autonomous Council Act in December 1994, which called for the establishment of the Jharkhand Area Autonomous Council (JAAC) and its member districts. Jharkhand, however, emerged as its own state in the year 2000.
More generally, the Adivasis have seen almost little progress toward securing their land rights despite the formation of the Ministry of Tribal Affairs (1999) and legislative action in the form of the Scheduled Tribes (Recognition of Forest Rights Bill) 2005.
Resources Of The Adivasi People
The Adivasi People
Over ninety-five percent of scheduled tribes are still concentrated in rural regions, where economic exploitation is a major issue. Ten percent or less are nomadic hunter-gatherers, while the other 90 percent or so rely on forest products, most notably the tendu leaf, which is used to make the alcoholic beverage bidi (cigarettes). Laws governing forest ownership and usage date back to when the country was under British rule. These days, most forested property is virtually nationalized, with significant swaths leased to private economic interests.
This has resulted in the gradual erosion of Adivasi groups’ land rights; now, they face fines or jail time for engaging in activities like harvesting forest products that have historically been theirs. The state has stepped in to try to halt the ongoing degradation of forested areas that has occurred during this century.
Although the Adivasis are sometimes held responsible for deforestation because of their methods of shifting agriculture, deforestation is really the result of a variety of factors, including rising demand for firewood as a fuel source and the effects of commercial (and sometimes illegal) logging. Large dam construction, for irrigation and hydroelectricity, poses a significant risk to the Adivasi people.
Since India’s independence, several hydro projects have been implemented, and a heated constitutional and political debate has raged over whether or not to build the biggest of thirty dams on the Narmada. The dam was built regardless of the protests. The Sardar Sarovar dam, one of the world’s biggest, has reached its full capacity. At least 178 communities were either completely or partially drowned, forcing thousands of people to flee their homes, according to local indigenous activists.
Affirmative action measures in the Constitution that reserve spots in school, the civil service, and nationalized businesses for members of scheduled tribes also benefit scheduled castes. The number of Adivasis working for or attending public schools has risen dramatically as a result of affirmative action laws.
However, the benefits of the reservation policy have not been uniformly distributed; while there have been noticeable advancements at the entry level of government services, there is a lack of scheduled caste or scheduled tribe representation in the middle and upper levels of government.
To add insult to injury, the Adivasis’ chances have not improved thanks to the affirmative action rules, which are only applicable to the public sector. Isolation, poverty, and discrimination are just some of the problems that the Adivasi community often faces. Since few Adivasis complete secondary school, most are unable to take advantage of the quotas set aside for them in postsecondary institutions and the federal service.
In an effort to encourage self-governance in rural regions, the Panchayat Raj (Extension to the Scheduled Areas) Act of 1996 was enacted in the late 1990s. Adivasis have been aided by this law in thinking about and acting upon a variety of community concerns, as well as in organizing themselves locally through the establishment of new political institutions. Adivasis in India’s different states want the Act to be enforced more strictly so that their rights and culture can be protected.
Conflict
The Adivasi People
Naxalites, or left-wing organizations in India, have organized some Adivasis to demand greater salaries and compensation for forest produce. From its roots in a student-led revolt in Bengal in the late 1960s and early 1970s, the Naxalite movement eventually extended to parts of Bihar state, Madhya Pradesh, and Andhra Pradesh.
Therefore, Adivasis were vulnerable to attacks from both Naxalite extremists and government counterinsurgency efforts. It is common knowledge that police, forest guards, and other officials habitually swindle, bully, and threaten Adivasis, and that many of them are detained and sent to jail for minor offenses. Many Adivasis chose to bribe authorities to stop the harassment rather than just fleeing to the woods.
Current issues Of The Adivasi People
The Adivasi People
In today’s India, Adivasis still experience discrimination and even physical threats from non-Adivasi communities. They rank dead last on virtually every measure of social and economic well-being. They are looked down upon by the bulk of society, and government programs work to assimilate them into mainstream culture rather than encouraging them to continue their traditional ways of living.
However, many of the lesser Adivasi peoples may be wiped out culturally due to the devastation of their economic foundation and ecology, even while the bigger tribal groupings and languages would survive due to numbers. Despite being the recipients of India’s vast reservations, the Adivasi community has seen little change as a result of the quota system.
The quotas implemented in technical fields and higher education do not appear to have improved access. For example, Adivasi quotas in higher education have not been met. Most Dalit and Adivasi youths do not complete high school.
Land re-distribution rights, rights of marginal farmers and daily laborers, rights of the tillers of the soil, and rehabilitation rights have all been neglected for the Adivasi population. It’s important to note that, notwithstanding differences in political alignment between state administrations in India, Adivasis consistently make up the poorest segment of society across the country.
Despite a socialist administration being in power in West Bengal for 34 of the previous 43 years, the Adivasi districts of Birbhum, Bankura, and Purulia are among the poorest areas in India. The systematic uprooting of the Adivasi people from their land has been exacerbated by the nationalization movement of the 1970s to construct heavy industries near to the source of raw resources. The Adivasi community in the districts of several of the other non-left states, including Madhya Pradesh, Bihar, Uttar Pradesh, Andhra Pradesh, and Rajasthan, shows comparable socioeconomic indices.
The formation of the states of Jharkhand, Chattisgarh, and Uttaranchal was a baby step in reviving the Adivasis’ dignity and recognizing their right to exist. In 2000, the state of Jharkhand was established, mostly as a means of recognizing the Adivasi community’s right to political organization through the creation of a distinct state.
There is current discussion on providing state-level reservations for Adivasi people in areas such as employment and access to higher education. However, the extent to which the governments of these states implement changes to safeguard the rights of Adivasi groups remains to be seen.
The progressive removal of the Adivasi people from their traditional lands has been a key contributor to their economic and social hardships. As a result of being denied land ownership rights for the better part of a century and having to relocate, Adivasis are now engaged in a battle to maintain their economic and social identities.
The Adivasis have not only gotten a pitifully little compensation sum, but they have also received compensation for a vanishingly small percentage of their population. The law is not used to achieve justice for Adivasis because of the legal impediments that are constructed to prevent them from receiving compensation.
There is a process problem because compensation is often based on individual title deeds, but Adivasi land is usually owned by a group or in the name of a dead ancestor.
For the protection of Adivasi claims to their traditional woodlands and land, the Forest Rights Act (FRA) was passed in 2006. The Bill acknowledges that the interests of the scheduled Tribes should be taken into account when making decisions on forest management. The bill seeks to protect local communities’ rights to culturally and ecologically significant forest products, grazing lands, dwellings, and traditional knowledge.
However, the FRA’s implementation has been painfully sluggish thus far, with group claims stuck in bureaucratic processes and fewer than 2% of prospective claims apparently handled. In addition, the fate of over a million Adivasis was further threatened by a judgment issued by the Indian Supreme Court in February 2019 over the execution of the FRA 2006. On or before July 24, 2019, the court ordered almost two dozen states to furnish information on claims resolved under the FRA and to remove applicants whose petitions were denied.
Strong opposition led to a brief stay of execution from the court. However, the Adivasi people who live in the forests continue to face a perilous existence as pressure mounts to clear more land for mining and other uses.
These tendencies further alienate the Adivasis from the federal government and point to broader institutional and legal flaws that contribute to the people’s mistrust of an Indian government that claims to protect them but does nothing of the sort in practice.
Originally from southern Africa, particularly Zimbabwe, the Shona tribe are now dispersed throughout the continent (where they form the vast majority). There are five main clans among them, and they live near other communities that have a language and culture quite similar to their own.
Seventy-six percent of the population belongs to the Shona ethnic group, which includes the Manyika, Zezuru, Karanga, Korekore, Rozwi, and Ndau. The Ndebele, which include the Ndebele and Kalanga peoples, are the country’s second-largest ethnic group, making up around 18% of the population.
Only around 30% of the population resides in metropolitan regions like Harare and Bulawayo, with the vast majority of those people residing in the capital city. The Shona live in Mashonaland, which is the eastern two-thirds of the country. The Ndebele live in Matabeleland, which is the western one-third.
The Batonga live in the Zambezi Valley, the Shangaan or Hlengwe live in the low veld, and the Venda live on the South African border; these three ethnic groups account for 1 percent of the total population. There is a small but significant non-African population (2%) that primarily consists of Europeans and Asians.
Three big shifts in population and settlement patterns occurred in the twentieth century. Before and during World War II, white settlers acquired great swaths of land for commercial agriculture, resulting in a scenario in which less than one percent of the population had access to property in rural areas. Second, during the colonial era, males seeking employment were forced to go to metropolitan places like Harare and Bulawayo, while women and children remained in the countryside.
There is less of a gender gap in today’s cities, and more people are moving between rural and urban regions, but in rural communities, women are still frequently the de facto heads of home. Most occupations are still concentrated in cities, so for smallholder families, money earned outside the farm has a much greater impact on their standard of living than does money earned from farming.
Thirdly, there has been a shift in the average age of the population. Since the 1960s, death rates have dropped drastically and life expectancy has increased, allowing over 63% of the population to be between the ages of 16 and 34 by the year 1992.
Shona Tribe Language and identity
Shona Tribe
When the word “Shona” was developed during the early 19th century under Mfecane (perhaps by the Ndebele monarch Mzilikazi), it was used as a slur for non-Nguni people; there was no understanding of a shared identity among the tribes and peoples that make up the present-day Shona. The Shona people of the Zimbabwe highlands, however, preserved a deep memory of the old kingdom generally associated with the Kingdom of Mutapa. Before the Mfecane, it appears that the Shona were referred to collectively by the names “Karanga,” “Kalanga,” and “Kalaka,” which are now the names of distinct groupings.
The language of the Bakalanga is classified as a Bantu language, however, Ethnologue states that it is mutually intelligible with the primary varieties of Karanga and other Bantu languages spoken in central and eastern Africa. The Kalanga and Karanga are considered to be one clan that created the Mapungubwe, Great Zimbabwe, and Khami, and were assimilated by the Zezuru. Although many Karanga and Kalanga terms are similar, Kalanga is distinct from Zezuru.
Dialect groupings share several commonalities. While “standard” Shona is understood and spoken by most people in Zimbabwe, the many dialects serve to distinguish between towns and villages as well as ethnic groups. Only members of one particular ethnic group speak all of the Shona dialects.
The Korekore (or Northern Shona), including Taυara, Shangwe, Korekore, Goυa, Budya, the Korekore of Urungwe, the Korekore of Sipolilo, Tande, Nyongwe of “Darwin”, and Pfungwe of Mrewa
The Zezuru group, including Shawasha, Haraυa, another Goυa, Nohwe, Hera, Njanja, Mbire, Nobvu, Vakwachikwakwa, Vakwazvimba, Tsunga
The Karanga group, including Duma, Jena, Mari, Goυera, Nogoυa, and Nyubi
The Manyika group, including Hungwe, Manyika themselves, Teυe, Unyama, Karombe, Nyamuka, Bunji, Domba, Nyatwe, Guta, Bvumba, Here, Jindwi, and Boca
The Ndau group (mostly in Mozambique), including Ndau, Garwe, Danda, and Shanga
Dialects developed during the dispersion of tribes across Zimbabwe over a long period, and the influx of immigrants into the country from bordering countries has contributed to the variety.
History Of The Shona Tribe
Shona Tribe
Around the 11th century, the Kalanga people established kingdoms on the Zimbabwe plateau. Great Zimbabwe, the capital city of the Zimbabwean empire, underwent construction. The Rozvi Empire (which lasted into the 19th century) came before the Mutapaan kingdom, which was under the rule of the Torwa dynasty in the Butuan kingdom.
Because of the dynastic succession pattern of brothers succeeding brothers, civil conflicts broke out, which the Portuguese took advantage of in the 16th century. Many chiefs, sub-chiefs, and headmen reported to the kings.
New tribes displaced the kings and settled the plateau. After supplying valuable commodities (especially gold) to Swahili, Arab, and East Asian traders in the 1830s, the Ndebele wiped out the Rozvi Empire, and the Portuguese gradually undermined the kingdom of Mutapa, which extended to the Mozambique coast.
As early as 1890, the British overthrew traditional authority and colonized the Rhodesian plateau, while the Portuguese colonial administration in Mozambique fought the last remnants of the Mutapa kingdom until 1902.
Types of Art Of The Shona Tribe
Shona Tribe
The Shona tribe are famous for the intricate carvings on their wooden headrests. The majority of Shona-related artwork is either highly personal or highly functional. They have a strong history of metal and wood carving but produce little figurative art. In the countryside, everyone pitches in to help out on the farm, as there are no dedicated agricultural professionals.
While there was formerly widespread smelting of iron and gold, today all of the surface gold has been mined, and high-quality iron is produced in state-of-the-art facilities. However, blacksmiths may still be found in many towns and cities. Basket weaving and pottery-making are two common traditional arts practiced by many.
Nowadays, many once undeveloped regions have at least some towns populated by carpenters, builders, tailors, and other semiskilled experts. The traditionally solitary activities of sewing and knitting are now frequently performed by women in collaborative groups.
Religious Belief Of The Shona Tribe
Shona Tribe
The Shona’s native religion is predicated on a trinitarian understanding of the universe. T. Shoko notes that first and foremost, there is a belief in a ‘world above,’ which is the home of the Supreme Being or a Creator god called various names, including Mwari (“The Great One” or “He who is”), Musikavanhu (“the One who created people”), Nyadenga (“the Great Spirit that lives above in heaven” or Owner of the Heavens”), Dzivaguru (“the Great Pool”), and quite a few others. The Shona do not think of God as having a physical body like a human being, but rather as a spirit who lives in the sky and may also be felt on the ground.
As a second category, we have the “human world,” or our actual planet. Everything in our world—from people to animals to rocks to rivers to woods and beyond—is a part of the natural whole. All things were created by God, and He is thought to play a role in people’s daily activities.
He is responsible for both the good and the terrible in the universe, and his power to bestow joy or deliver instantaneous disaster on a person is absolute. People of the Mwari religion reject the idea of a personal relationship with God, as taught in Christianity and Judaism, since they think that humans cannot rationally debate or reason with Mwari.
Finally, there is a strong belief in a ‘underworld.’ In popular culture, the dead and dark forces are typically linked to this kind of netherworld.
Ancestral Spirits
Shona Tribe
The vadzimu (ancestral spirits) play a significant role in Shona tribe religion since God is seen as essentially unreachable to the individual. Upon death, people’s souls are said to roam aimlessly until they receive a summons to come home and watch after their heirs. In the kurova guva rite, family members pour beer over the grave and beg the ghost to “return home” and watch over the living.
A mudzimu, however, is only a mudzimu if he is an adult and has children of his own (plural). The vadzimu are said to form a parallel community to that of the living, allowing them to keep a watchful eye on their surviving loved ones and know exactly what’s going on in their daily lives.
A distinction may be made between the mhondoro, who are seen to be the spirits of the clan’s or tribe’s founders, and the vadzimu, who are thought to be the souls of the individual’s deceased patrilineal and matrilineal ancestors. Since the mhonddoro, or tribal spirits, care most about the clan or tribe as a whole, they were historically consulted on issues like drought, war, the succession of leaders, and so forth.
The family vadzimu not only has significant influence over their offspring, but also acts as their go-between with God on all mundane problems. While the vadzimu is there to support and protect the living, they are also highly offended when the living break their traditions and rituals. They used illness or other hardships inflicted on the criminals as a kind of punishment.
Mbira Dzavadzimu
Shona Tribe
The Shona tribe of Zimbabwe have been playing the mbira dzavadzimu (literally “voice of the ancestors”), the national instrument of Zimbabwe, for thousands of years. The mbira dzavadzimu is a popular instrument played at mabira, a type of religious and social gathering (sing. “bira”). Between 22 and 28 keys made of hot or cold-forged metal are attached to the hardwood soundboard (gwariva) of a standard mbira dzavadzimu. These keys are divided into three registers: two on the left and one on the right.
The player’s right hand is used to stabilize the instrument by inserting their little finger through a hole in the lower right corner of the soundboard, while their thumb and index finger are free to strike the notes in the correct register from above and below. Most of the left hand’s fingers should extend behind the instrument to support its left side. The thumb and occasionally the forefinger on the left hand play both left-hand registers.
When played, the buzzing sound of bottle caps, shells, and other things (“machachara”) attached to the soundboard may be heard. In traditional settings, this sound is very important because it is said to call the spirits of the dead. An mbira dzavadzimu will often have its sound amplified during a public performance by being put in a deze (calabash resonator).
The mbira dza vadzimu is revered as a holy instrument in traditional Shona religion and culture. Typically, it is used to open lines of communication with ancestor spirits. The mbira is often played in pairs within the Shona tribe tradition, with the kushaura (the caller) taking the lead while the kutsinhira (the responder) “interlocks” the next portion.
Bira is the name given to the ceremony. The shona tribe believe that the changes in notes played on a Mbira piece help the participants enter a trance in which the spirits can take over their bodies and answer the questions being posed during the all-night festivities.
Death and Afterlife
Although the ancestral cult is highly valued, traditional Shona rarely discuss the possibility of an afterlife. Instead, it is assumed, however tenuously, that a person’s fate in the hereafter will be determined by whether or not his or her descendants continue to practice rituals in honor of the deceased. The Shona tribe believe that when a person dies, their soul and body are split apart; although the soul is immortal and continues to exist as a spiritual entity after their physical body has decomposed.
The Shona tribe have more than one ritual they carry out in honor of their ancestors and for the sake of their community. They can add up to seven in total. The kupeta (folding) ceremony, the ritual of burial, the ritual of cleansing, the ritual of bringing back the spirit, the ritual of inheritance, the ritual of honor, and the rituals of appeasement are all examples.
The purpose of funerals is to remove the body of the deceased from public view and ensure that it remains hidden. A subsequent ritual held a year or more later for an adult with descendants welcomes the departed into the company of beneficent ancestors and back into the homestead.
About 20 kilometers north of the River Niger, a once-active waterway no longer connects the city of Timbuktu to the river. Northern contemporary Mali. It is not clear where Timbuktu came from originally. The city was established about the year 1100 as a summer nomad camp, according to both local legend and the Tarikh es Soudan, an indigenous chronicle compiled in the seventeenth century. Buktu, a senior slave owner, oversaw a group of slaves who cared for a well. The name Tin Buktu, often spelled Timbuktu, means “the location of Buktu.”
Because of its strategic location at the confluence of riverine and land transit channels, this temporary settlement eventually grew into a more permanent organization. So far, archaeology has been unable to verify this folk story of Timbuktu’s beginnings. After it was first established, Timbuktu was only one of many regional trading hubs. It was under Mali’s empire (1325–1433) that the city appeared to have expanded greatly.
The period of monumental construction that began in the fourteenth century is a reflection of the growing affluence and political stability of the time. There were several notable constructions, including the now-destroyed Madougou royal palace and the still-standing Sankore (about 1400) and Djinguereber (1327) mosques.
Timbuktu’s fortunes dropped when the Mali dynasty crumbled in 1433, when it came under the power of nomadic Berbers and remained in their sphere of influence until 1468. The 1468 conquest and annexation of Timbuktu by Songhai monarch Sonni Ali only accelerated things. There was a lot of death and destruction during the city’s takeover, as documented by history; Sonni Ali was roundly criticized in the Tarikh es Soudan. Sonni Ali died in 1492, and after his son’s short, bad rule, Timbuktu was taken over by the Askias, a new dynasty within the Songhay empire.
Scholarism and commerce blossomed as Timbuktu reached its “golden era.” Timbuktu became the most significant hub of Islamic learning in Sub-Saharan Africa because the Askias were devoted Muslims. The institution, which sprang up around the Sankore mosque, was dedicated to the study and copying of the Qur’an, Hadith, Sharia, and the Islamic sciences.
Additionally, trade flourished, with gold and ivory being traded for beads, glazed pottery, paper, books, and textiles acquired through trans Saharan trade. The traders’ stories of Timbuktu and West African riches had piqued the interest of the Moroccans up north, who had been slowly making their way north through the desert.As a result, in 1590, an army headed by Judar Pasha formed, and in 1591, after a long march over the desert, they triumphed against the Songhay soldiers at the battle of Tondibi.
Timbuktu’s rapid conquest by the Moroccans had devastating effects. The exile of many prominent Muslim academics is widely documented. However, the Moroccans found it too expensive to continue their objective of dominating the region south of the Sahara, and they abandoned it in 1618. The Moroccan garrison at Timbuktu was abandoned, and the only remnant of the Moroccans’ presence in the city are the Songhai of the Arma tribe, who trace their ancestry back to Morocco.
Between then and the beginning of the eighteenth century, Timbuktu was relatively tranquil and unimportant. It’s possible (but not guaranteed) that intellectual and economic progress slowed, but the country’s reputation in Europe remained strong. When the writings of Leo Africanus, a Spanish Moor who most likely visited the city in the early sixteenth century, were translated for a European audience, the image of a figuratively “gold-plated” metropolis was perpetuated (including an English translation in 1600).
A number of expeditions were sent out in search of Timbuktu. Robert Adams, Shabeeny the Moor, and Mungo Park were just a few of the people who tried to enter the city. However, in August 1826, a European named Major Alexander Gordon Laing reached the city and left a verified narrative in the form of a short letter; His other documents were lost or destroyed after he was assassinated while returning home. René Caillié, a Frenchman who visited Timbuktu in 1828 while passing himself off as an Arab, fared better (in contrast to Laing, who drew attention to himself in his European dress).
Interestingly, Caillié was underwhelmed by the city; Timbuktu had been romanticized in Europe ever since Africanus’s writings were published, and Caillié’s experience did not live up to his expectations. He observed that the population was “indolent” and that the place had a “dull aspect.” While many other European explorers and travelers have since made the journey to Timbuktu, it was the German Heinrich Barth, who spent eight months in and around the city in the middle of the nineteenth century, who wrote one of the most detailed accounts of life there, including descriptions of mosques, trade, markets, manufactures, and the people.
The invasion of Timbuktu by a European force seemed inevitable once the city was made famous by the writings of Caillié, Barth, and others, and French colonial administration was expanded in the region. In December 1893, French soldiers ultimately made it to the city, although they suffered heavy casualties from the Tuaregs and their rescue column.
When Timbuktu and the rest of what was then French Sudan gained their independence in 1960, it marked the beginning of the end of sixty years of colonial control. Since 1960, Timbuktu has served as a commercial and administrative hub for the surrounding region, connecting its nomadic and settled inhabitants. More and more “adventurous” visitors are flocking there, so the infrastructure catering to them is getting a boost.